
Still from What We Ask of a Statue Is That It Doesn’t Move
Daphné Hérétakis’ What We Ask of a Statue Is That It Doesn’t Move is a captivating hybrid short that explores the psychic dissonance of living... Read More
Text by Dalia Morgan
Still from What We Ask of a Statue Is That It Doesn’t Move
Daphné Hérétakis’ What We Ask of a Statue Is That It Doesn’t Move is a captivating hybrid short that explores the psychic dissonance of living... Read More
Text by Dalia Morgan
Detail of 'Louhi' (2024) by Yasmin Bawa. Hemp, lime, natural pigments. 96 x 83 x 10 cm.
In a studio tucked into Berlin’s Kreuzberg district, Yasmin Bawa is reshaping the language of sculpture—literally. Working primarily with hempcrete, a natural material composed of... Read More
Text by Marguerite de Ponty
Thomas Pynchon in 1955, before he disappeared from public view. Photograph: Bettmann/Bettmann Archive
At 87, Thomas Pynchon is stepping once more into the literary spotlight—or just close enough to cast a shadow. Shadow Ticket, his first novel in... Read More
Text by Rich Aubern
Still from Invention by Courtney Stephens
Courtney Stephens’ Invention is a film about memory disguised as fiction, or perhaps fiction disguised as memory. Co-written with actor Callie Hernández, the film unfolds... Read More
Text by Dalia Morgan
Photo: Villa Necchi Campiglio.
MILAN—Tucked into the garden of Villa Necchi Campiglio in Milan, surrounded by manicured hedges and filtered light, rests a figure barely noticed: The Sleeper, a... Read More
Text by Julian Octavia
Miista
Miista may not be a household name—yet—but the London-based label has quietly built a reputation for thoughtful design and slow, deliberate craftsmanship. Founded in 2011... Read More
Text by Marguerite de Ponty
Pol Taburet, detail from Desire and stones, 2025, acrylics, alcohol-based paint and oil pastel on canvas, 250 x 190 cm (98 3/8 x 74 3/4 in). Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York. Photo credit: Romain Darnaud.
MADRID—French-Guadeloupean artist Pol Taburet makes his Spanish debut in Oh, If Only I Could Listen, a site-specific exhibition staged inside Madrid’s historic Pabellón de los... Read More
Text by Kristine Able
Exhibition view, Stanislava Kovalčíková, ret rie vers, at Emalin London.
LONDON—Slovak artist Stanislava Kovalcikova is redefining figurative painting in a way that feels both deeply personal and historically loaded. Her latest exhibition, ret rie vers,... Read More
Text by Liora Ashwood